Related to this previous post on the matter. I’ve since made a hand-bound book of the work I made back then, with a cover relating to raised texture.
I found the repetitive nature of this very alluring, and have since used a spoon to further explore the effects of repetitive mark-making on a thrown vessel while it is still on the wheel.
( photos of book on Sumi-E)
Mark-making can be seen as a narrative form, documenting movement on paper or clay etc. also book on Wabi-sabi. Japan as valuable to us specifically!
(PHOTOS and SCANS)